Computationally Created Soundscapes with Audio Metaphor -- Miles Thorogood and PhilippernPasquier................. 1rnGenerating Apt Metaphor Ideas for Pictorial Advertising -- Ping Xiao and Josep Blat ............. 8rnOnce More, With Feeling! Using Creative Affective Metaphors to Express Information Needs -- Tony Veale............ 16rnEvolving Figurative Images Using Expression–Based Evolutionary Art, João Correia, PenousalrnMachado, Juan Romero and Adrian Carballal .................. 24rnFitness Functions for Ant Colony Paintings, Penousal Machado and Hugo Amaro...... 32rnBased on Creative Cognition, Steve Dipaola, Kristin Carlson, Graeme McCaig, Sara Salevati andrnNathan Sorenson ........................ 40rnSession 3 Creative ProcessesrnA Computational Model of Analogical Reasoning in Dementia Care, Konstantinos Zachos andrnNeil Maiden ................... 48rnTransforming Exploratory Creativity with DeLeNoX, Antonios Liapis, Héctor P. Martínez, Julian Togelius and Georgios N. Yannakakis........... 56rnA Discussion on Serendipity in Creative Systems, Alison Pease, Simon Colton, Ramin Ramezani, John Charnley and Kate Reed.................... 64rnConsidering Vertical and Horizontal Context in Corpus–based Generative Electronic DancernMusic, Arne Eigenfeldt and Philippe Pasquier ................ 72rnHarmonising Melodies: Why Do We Add the Bass Line First? Raymond Whorley, ChristophernRhodes, Geraint Wiggins and Marcus Pearce ............... 79rnAutomatical Composition of Lyrical Songs, Jukka M. Toivanen, Hannu Toivonen and Alessandro Valitutti................ 87rnImplications from Music Generation for Music Appreciation, Amy K. Hoover, Paul A. Szerliprnand Kenneth O. Stanley ....................... 92rnAutonomously Communicating Conceptual Knowledge Through Visual Art, Derrall Heath, David Norton and Dan Ventura.......... 97rnA Computer Model for the Generation of Visual Compositions, Rafael Perez Y Perez, MariarnGonzalez de Cossio and Ivan Guerrero ........... 105rnLearning How to Reinterpret Creative Problems, Kazjon Grace, John Gero and RobrnSaunders ........... 113rnComputational Creativity in Naturalistic Decision–Making, Magnus Jändel ........ 118rnSession 7 Evaluating Computational Creativity Nobody's A Critic: On The Evaluation Of Creative Code Generators —A Case Study In Video -- Game Design, Michael Cook, Simon Colton and Jeremy Gow ........ 123rnA Model for Evaluating Interestingness in a Computer–Generated Plot, Rafael Perez Y Perez andrnOtoniel Ortiz ...... 131rnA Model of Heteroassociative Memory: Deciphering Surprising Features and Locations,rnShashank Bhatia and Stephan Chalup .......... 139rnComputational Models of Surprise as a Mechanism for Evaluating Creative Design, Mary LournMaher, Douglas Fisher and Kate Brady ................ 147rnSession 9 PoetryrnLess Rhyme, More Reason: Knowledge–based Poetry Generation with Feeling, Insight and Wit,rnTony Veale .................. 152rnHarnessing Constraint Programming for Poetry Composition, Jukka M. Toivanen, Matti Järvisalo and Hannu Toivonen ............... 160rnSlant: A Blackboard System to Generate Plot, Figuration, and Narrative Discourse Aspects ofrnStories, Nick Montfort, Rafael Pérez Y Pérez, D. Fox Harrell and Andrew Campana ....... 168rnUsing Theory Formation Techniques for the Invention of Fictional Concepts, Flaminia Cavallo,rnAlison Pease, Jeremy Gow and Simon Colton .......... 176rne-Motion: A System for the Development of Creative Animatics, Santiago Negrete-Yankelevichrnand Nora Morales-Zaragoza .......... 184rnAn Emerging Computational Model of Flow Spaces in Social Creativity and Learning, ShionarnWebster, Konstantinos Zachos and Neil Maiden........... 189rnIdea in a Bottle—A New Method for Creativity in Open Innovation, Matthias R. Guertler,rnChristopher Muenzberg and Udo Lindemann ............. 194rnMultilevel Computational Creativity, Ricardo Sosa and John Gero ........... 198rnEtc.rn